delicatessen reviews
BARE WIRE

Ball State Daily News
excerpt from page 6, Volume 79, No 78

Album centers lyrics around simplicity

"Every once in a while, a female musician comes along and rocks the boat of music just enough to make a few waves. In the past, musicians like Sarah McLachlan, Bjork and Tori Amos all made enough noise to gain the attention of fans and critics alike.

"A new artist, Simone Grey, the voice of Bare Wire, may just be the next to take the boat out for a ride. Bare Wire's album, 'Delicatessen,' is a moody mix of sounds that combines Portishead with Dead Can Dance and a splash of Enigma. Although the 'band' is composed of only one woman, she fills the spot beautifully.

"Bare Wire isn't a hard-hitting album full of radio-ready hits, but it is an interesting album worthy of being checked out.

"The tracks are rather short in length, but Grey's voice has an eerie sound that entrances the audience to listen to her tales of love, heartache and life. 'Here are my cold cuts -- my story, my existence, my demise, on display for all to see, to ridicule, to judge. Anyone can buy and eat or just walk away. Anyone can make me, break me or ignore me. Go ahead, you decide,' [as] said in her liner notes.

"So far, Bare Wire's challenge has been accepted by over 76 stations across the United States and abroad, including WCRD 91.3 FM, one of Ball State's radio stations.

"Instead of spending lots of money on flashy album covers and booklets, Bare Wire keeps it simple with black and white photos of women in different forms adorning the front and inside of the liner notes. Lyrics to the songs are also provided, giving the audience the opportunity to follow along on the musical journey of the album.

"Looking at the lyrics, one might notice a simplistic but meaningful style similar to Nine Inch Nails on the albums 'Downward Spiral' and 'Pretty Hate Machine.'

"Some of the gems on 'Delicatessen' include track number one, 'Verisimilitude,' which starts off with Grey crooning 'I know I said I'm fine, but I lied.'

"The one flaw of the album is a lack of any real drastic changes in the styles of sounds in the songs. In some ways this works, for example if the listener isn't concentrating on the album, but instead using it as background music while studying or sleeping.

"In other ways, this style leaves the listener feeling like they're hearing one continuous track and may cause some to grow weary of the album.

"Overall, 'Delicatessen' is a nice start to a promising career for Grey. Hopefully on her next album, Grey will continue to grow, taking the best parts of her previous work and building on them."

-- Angela Manginelli, Chief Reporter




2001 reviews
The Pitt News 23 May 2001
The Jambar 3 May 2001
Flyer News 20 April 2001

2000 reviews
The Vanguard October 2000
The Tufts Daily 18 October 2000
The University Leader 18 April 2000
The Purdue Calumet Chronicle 10 April 2000
City on a Hill Press06 April 2000
The Centurion 3 April 2000
The Clarion 10 February 2000
Newspeak 25 January 2000
Ball State Daily News 12 January 2000

1999 reviews
The Xavier Newswire 8 December 1999
The Etownian 5 November 1999
Starvox.net November 1999
The Oklahoma Gothic 15 August 1999
Dark Velvet Spring 1999
USC Daily Trojan 29 March 1999
Monroe Street Journal 22 March 1999
Orange Source March 1999
Arsenic.net March 1999

1998 reviews
Ingenium 10 December 1998
The Advocate 3 December 1998
The Pendulum 19 November 1998
Carpe Noctem April 1998
34th Street Magazine -- The Daily Pennsylvanian April 1998
Intermission -- The Stanford Daily 2 April 1998
The Duquesne Duke 12 February 1998

1997 reviews
Forklift August 1997
Compact Disc Services April 1997

1996 reviews
Alternative Press December 1996
Tucson Lifestyle December 1996
Zia Zine 24 June - 7 July 1996
Album Network 28 June 1996
Phoenix New Times 15-21 August 1996
Female Vocal Music August 1996
Music Voice 12 July - 2 August 1996



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